...from a shyly swiss pulchritude, who sounds off urbane but don`t like talk about so much. sophie has been catched my ears and eyes since i`v heard her fabulous piano song walzer für niemand or low-key house of gods from her 2nd lp monday`s ghost.multilingualism-talent sophie hunger from switzerland come up with new music output. she called her all up 3rd album simply 1983. within the title track she takes her year of birth as a bench mark for a swan song to present culture. between blending edges of folk, jazz, soul and pop flashes up her mastermind, her brilliant deep spaced faned voice. a voice that alternates amongst slightly agressive, partly agitated, impulsive undertones and empathetic, sorcerous, circumspective and elfish paths. hunger`s singing seems like sensuously magic and linguistical to elusive. she owns tactfulness for dynamic differentiation and dazzling expressivity. calmness and atrabiliousness take turns with fevered overtroqued accent. within her live performances these vocal amorous adventures combined with sophies matchless facial expression glamourize her artistry. complete devotion! heavy weight impressively!
jeechtelisau! eebari gmögig jüntli maitli!
citylights forever. creeping out of the shadow`s reservation while a trombone conclusion is helping you homeward...
your personal religion. reminds of howling bell`s juanita stein, even thogh fewer massive. long time no see such permanent brilliant lyrics! each vers on its own, before warming accords lag them. phenomenal track.
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